From a brilliant longtime AI insider with intimate access to the world of Sam Altman's OpenAI from the beginning, an eye-opening account of arguably the most fateful tech arms race in history, reshaping the planet in real time, from the cockpit of the company that is driving the frenzy When AI expert and investigative journalist Karen Hao first began covering OpenAI in 2019, sh...(展开全部)

When they have to promote themselves. When an acquaintance says hello by kissing them on a cheek. When they owe a favour. When they wait for a bus in pouring rain, but there´s already someone under the pentice. When they run out of coffee. That´s when it happens. A finnish awkward moment. The character of Karoliina Korhonen´s comic strips is finnish Matti, who loves silence and...(展开全部)

Why does an international footballer with the World at his feet decide to take his own life? On 10 November 2009 the German national goalkeeper, Robert Enke, stepped in front of a passing train. He was thirty two years old. Viewed from the outside, Enke had it all. Here was a professional goalkeeper who had played for a string of Europe's top clubs including Jose Mourinho's Ben...(展开全部)

乔伊斯•卡罗尔•欧茨（1938— ），美国当代著名小说家，美国文学与艺术学院院士，两度进入诺奖最后提名，被誉为“女福克纳”。欧茨素以揭露美国社会的暴力行径和罪恶现象而闻名，其作品在整体上构成了一幅当代美国社会的全景图。自1963年出版首部短篇小说集《北门边》以来，欧茨一直活跃于美国文坛，勤于笔耕，迄今已发表长篇小说四十余部。代表作品有《表姐妹》《他们》《人间乐园》《漆黑的水》《大瀑布》等。

乔伊斯•卡罗尔•欧茨（1938— ），美国当代著名小说家，美国文学与艺术学院院士，两度进入诺奖最后提名，被誉为“女福克纳”。欧茨素以揭露美国社会的暴力行径和罪恶现象而闻名，其作品在整体上构成了一幅当代美国社会的全景图。自1963年出版首部短篇小说集《北门边》以来，欧茨一直活跃于美国文坛，勤于笔耕，迄今已发表长篇小说四十余部。代表作品有《表姐妹》《他们》《人间乐园》《漆黑的水》《大瀑布》等。

Hollywood moviemaking is one of the constants of American life, but how much has it changed since the glory days of the big studios? David Bordwell argues that the principles of visual storytelling created in the studio era are alive and well, even in today's bloated blockbusters. American filmmakers have created a durable tradition - one that we should not be ashamed to call a...(展开全部)

Hollywood moviemaking is one of the constants of American life, but how much has it changed since the glory days of the big studios? David Bordwell argues that the principles of visual storytelling created in the studio era are alive and well, even in today's bloated blockbusters. American filmmakers have created a durable tradition - one that we should not be ashamed to call a...(展开全部)

Acclaimed for its breakthrough approach and its combination of theoretical analysis and empirical evidence, this is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s.

伊斯梅尔·卡达莱（1936―），小说家、诗人。出生于阿尔巴尼亚南部靠近希腊边界的山城吉罗卡斯特，先后求学于地拉那大学和莫斯科高尔基世界文学学院。1950年代开始文学写作，2005年获得首届布克国际文学奖，2009年获得阿斯图里亚斯亲王奖，2015年获得耶路撒冷奖。代表作有《亡军的将领》、《梦宫》、《破碎的四月》等。